Mastroprimiano/Ilnuui/Bianchi Hummel Edition 20 CD Box

CD1

Sonata No.1 in C Op.2a No.3

2 II. Adagio 4’20

3 III. Rondo 5’56

Sonata No.4 in C Op.38

5 II. Adagio con molto espressione 9’22

6 III. Finale: Prestissimo 6’44

7 Fantasina in C on themes from Le nozze di Figaro Op.124 6’36

Costantino Mastroprimiano fortepianos

Urbano Petroselli after Anton Walter, c.1790 (1–6)

Érard ‘en forme de clavecin’, 1838 (7)

Total time: 54’50

Recording: January 2017, Oratorio di Santa Cecilia, Perugia (1–6) April 2017, Verbania, Italy (7)

CD2

Sonata No.2 in E flat Op.13

2 II. Adagio con grand espressione 6’44

3 III. Finale. All(egr)o con spirito 8’49

Sonata No.5 in F sharp minor Op.81

5 II. Largo con molt’espressione 9’00

6 III. Vivace 9’20

Costantino Mastroprimiano fortepianos

Urbano Petroselli after Anton Walter, c.1790 (1–3)

Érard ‘en forme de clavecin’, 1838 (4–6)

Total time: 52’21

Recording: January 2017, Oratorio di Santa Cecilia, Perugia (1–3)

CD3

Sonata No.3 in F minor Op.20

1 I. All(egr)o moderato 9’10

2 II. Adagio Maestoso – 6’56

3 III. Presto – Ancor più presto 4’51

Sonata No.6 in D Op.106

5 II.

6 III. Larghetto a capriccio 5’34

7 IV.

Costantino Mastroprimiano fortepianos

Urbano Petroselli after Anton Walter, c.1790 (1–3)

Érard ‘en forme de clavecin’, 1838 (4–7)

Total time: 51’08

Recording: January 2017, Oratorio di Santa Cecilia, Perugia (1–3)

April 2017, Verbania, Italy (4–7)

CD4

Fantasie for piano in G minor Op.123

on themes by Hummel

& Sigismond Neukomm

1 Introduzione 1’09

2 The Hunter’s Song 2’20

3 Marcia 2’55

4 The Bloodhound 2’45

5 The Roaming Mariners 3’04

world-premiere recording

Fantasie for piano in E flat Op.18

7 Larghetto e cantabile 8’37

9 Presto 2’15

10 Rondo quasi una fantasiafor piano in E Op.19 8’22

6 Bagatelles for piano Op.107

11 III. La contemplazione 9’03

Fantasia for piano in C WoO 8, S.190 ‘Recollections of Paganini’

12 Caprice 3’20

13 Quartetto 3’05

14 Rondo 1’40

15 Campanella 1’41

16 Fantasina in C on themes from Le nozze di Figaro Op.124 5’43

Madoka Inui piano

Total time: 68’37

Recording: 26–28 July 2005, Studio 3, ORF Funkhaus, Vienna

CD5

Amusement Op.108

2 II. Andante cantabile 3’37

3 III. Rondo: Allegretto 4’48

4 Rondo brillant in G Op.126 17’03

5 Introduction and Variations on a German song Op. posth. 2 13’50

Viola Sonata in E flat Op.5 No.3

7 II. Adagio cantabile 5’03

8 III. Rondo con moto 6’31

Luigi Bianchi violin (1–5) Stradivari ‘Colossus’, 1716

viola (6–8) Michael Boller, Mittenwald 1778 (Luigi Ghezzi Collection, Rome)

Aldo Orvieto piano

Total time: 64’33

Recording: 17–19 May 1998, Dynamic’s, Genoa, Italy

CD6

1 Grand Potpourri National (Giuliani’s Op.93) 23’54

Claudio Maccari terz guitar

Giovanni Togni fortepiano

2 Potpourri Op.53 11’09

Izhar Elias guitar C. Guadagnini, 1812

Michael Tsalka fortepiano J. Böhm, 1820

Grande Sonate in A Op.104

(dedicated to Her Imperial Highness Maria Pavlovna)

4 II. Un poco adagio e con espressione 5’44

5 III.

Marco Testori cello

Costantino Mastroprimiano piano

Total time: 57’48

Recording: October 2009, Auditorium BPL, Lodi, Italy (1);

5–6 March & 30–31 August 2015, Museum Geelvinck Hinlopen Huis,

Amsterdam, The Netherlands (2); November 2015,

Sala ‘Note Romantiche’, Verbania, Italy (3–5)

CD7

Flute and Piano Sonata in G Op.2a No.2

2 II. Romanze: Poco andante 4’42

3 III. Rondo 4’48

Flute and Piano Sonata in D Op.50

5 II. Andante 2’43

6 III. Rondo pastorale 4’53

Flute and Piano Sonata in A Op.64

8 II. Menuetto moderato 4’52

9 III. Rondo: vivace 4’18

10 Grand Rondeau brillant in G Op.126 15’25

Trio in A Op.78

for flute, cello and piano

11 Introduction: Cantabile 3’28

12 Thema: Quasi allegretto 0’53

13 Variation 1 1’16

14 Variation 2 1’14

15 Variation 3 0’47

16 Variation 4 1’41

17 Variation 5 1’00

18 Variation 6 2’38

19 Variation 7: Finale – Rondo 2’43

Lise Daoust flute

Elizabeth Dolin cello (11–19)

Carmen Picard piano

Total time: 75’31

Recording: February 1995, Église Saint-Alphonse-de-Rodriguez, Quebec, Canada

CD8

Trio in E flat Op.12

2 II. Andante 7’19

3 III. Finale: Presto 4’42

Trio in F Op.22

5 II. Andante con variazioni 5’15

6 III. Rondo alla turca: Vivace 3’56

Trio in G Op.35

8 II. Tempo di minuetto 4’26

9 III. Rondo: Vivace e scherzando 4’09

Trio in G Op.65

11 II. Andante grazioso 5’52

12 III. Rondo: Vivace assai e scherzando 3’49

Daniela Cammarano violin

Luca Magariello cello

Alessandro Deljavan piano

Total time: 62’42

Recording: 25–27 October 2013, Teatro Comunale, Atri, Italy

CD9

Trio in E Op.83

2 II. Andante 7’56

3 III. Rondo 9’58

Trio in E flat Op.93

5 II. Un poco larghetto 8’03

6 III.

Trio in E flat Op.96

8 II. Andante quasi allegretto 4’10

9 III.

Daniela Cammarano violin

Luca Magariello cello

Alessandro Deljavan piano

Total time: 71’26

Recording: 25–27 October 2013, Teatro Comunale, Atri, Italy

CD10

Quintet in D minor Op.74

2 II.

3 III. Andante con variazioni 8’29

4 IV. Finale: Vivace 8’29

Quintet in E flat minor Op.87

6 II.

7 III. Largo 2’06

8 IV.

Nepomuk Fortepiano Quintet

Franc Polman violin

Elisabeth Smalt viola

Jan Insinger cello

Pieter Smithuijsen double bass

Riko Fukuda fortepiano

Total time: 60’58

Recording: 5–7 July 2009, Westvestkerk, Schiedam (1–4);

20–22 February 2006, Doopsgezinde Kerk, Deventer (5–8), The Netherlands

CD11

Septet in D minor Op.74

for piano, flute, oboe, horn, viola, cello & double bass

2 II. Menuetto o Scherzo 6’09

3 III. Andante con variazioni 8’31

4 IV. Finale: Vivace 8’14

Septet in C ‘Military’ Op.114

for piano, flute, clarinet, trumpet, violin, cello & double bass

6 II. Adagio 8’25

7 III.

8 IV. Finale: Vivace 5’52

Aya Okuyama (1–4) · Alessandro Commellato (5–8)

fortepiano Jacob Bertsche, c.1817 (restored Robert Brown, Salzburg)

Solamente Naturali (on period instruments)

Sharman Plesner violin (5–8) · Miloš Valent viola (1–4) leader

Lucie Dušková flute · Eduard Wesly oboe · Robert Sebesta clarinet

Jean-Luc Machicot natural trumpet · Rudolf Linner natural horn

Michal Stahel cello · Tibor Nagy double bass

Total time: 67’42

Recording: November 2007, Studio of the Slovak National Radio, Bratislava, Slovakia

CD12

Piano Concerto No.2 in A minor Op.85

2 II. Larghetto 4’28

3 III.

Piano Concertino in G Op.73

5 II. Andante grazioso 3’40

6 III. Rondo 4’21

Introduction & Rondo brillant in F

‘Le Retour à Londres’ Op.127

7 I. Introduction (Largo) 3’40

8 II. Allegretto vivace 11’19

first recordings on period instruments

Alessandro Commellato fortepianos Joseph Böhm, Vienna 1825

Ignace Pleyel, Paris 1837

Solamente Naturali (on period instruments)

Didier Talpain

Total time: 63’16

Recording: November 2009, August–September 2010,

Studio of the Slovak National Radio, Bratislava, Slovakia

CD13

Concerto for piano, violin & orchestra in G Op.17

cadenza: J.N. Hummel

2 Andante con variazioni (Andante con moto) 9’55

3 Rondo 8’20

cadenza: A. Commellato

Alessandro Commellato fortepiano Böhm. Vienna 1825

Stefano Barneschi violin Giacinto Santagiuliana, 1830

Orchestra da Camera Milano Classica (on period instruments)

Didier Talpain

Piano Concerto No.3 in B minor Op.89

5 Larghetto – Finale: Vivace 19’38

Hae-won Chang piano

Budapest Chamber Orchestra

Támás Pál

Total time: 70’37

Recording: 11–13 January 2018, L’Auditorium – Seregno (Monza & Brianza), Italy (1–3);

29–30 May 1987, Budapest, Hungary (4–5)

CD14

Piano Concerto No.4 in E ‘Les Adieux’ Op.110

2 II. Andante con moto 6’45

3 III.

Hans Kann piano

Hamburg Symphony Orchestra / Heribert Beissel

24 Etudes for piano Op.125

4 No.1 0’57

5 No.2 1’23

6 No.3 1’47

7 No.4 1’58

8 No.5 2’04

9 No.6 2’18

10 No.7 1’26

11 No.8 2’04

12 No.9 0’54

13 No.10 1’59

14 No.11 1’21

15 No.12 1’06

16 No.13 1’15

17 No.14 1’42

18 No.15 1’28

19 No.16 2’08

20 No.17 0’57

21 No.18 1’04

22 No.19 1’02

23 No.20 1’03

24 No.21 1’45

25 No.22 4’11

26 No.23 1’18

27 No.24 2’15

Mary Louise Boehm piano

Total time: 71’42

Recording: 1973, Südwest Tonstudio, Stuttgart (1–3); 1974 (4–27)

CD15

Bassoon Concerto in F WoO 23 S.63

2 II. Romanza: Andatino e cantbile 7’48

3 III. Rondo: Vivace 7’41

Introduction, Theme and Variations in F Op.102

5 II. Theme and Variations: Allegretto 10’47

Clarinet Quartet in E flat WoO 5 S.78

7 II.

8 III. Andante: Andante 7’10

9 IV. Rondo: Allegretto 6’33

Claudio Gonella bassoon (1–3)

Diego Dini-Ciacci oboe (4–5)

Orchestra Internazionale d’Italia / Diego Dini-Ciacci (1–5)

Fabrizio Meloni clarinet · Andrea Pecolo violin · Luca Ranieri viola · Mario Finotti cello (6–9)

Total time: 71’04

Recording: 29–30 July 1996. Teatro Alaleona – Montegiorgio, Macerata, Italy (1–5);

18 February 1997, Sala Maffaeina, Verona, Italy (6–9)

CD16

Trumpet Concerto in E WoO 1 S.49

2 II. Andante 4’28

3 III. Rondo 3’18

Virtuosi Saxoniae

Ludwig Güttler trumpet & conductor

Mandolin Concerto in G S.28

5 II. Andante con variazioni 5’02

6 III. Rondo 5’50

Edith Bauer-Slais mandolin

Vienna Pro Musica Orchestra

Vinzenz Hladky

Rondo for piano in G ‘La galante’ Op.120

7 I. Introduzione: Larghetto e cantabile 3’02

8 II.

Martin Galling piano

Violin Concerto in G

(completed G. Rose)

10 II. Adagio 2’53

11 III. Rondo 9’08

cadenza: G. Rose

Alexander Trostianski violin

Russian Philharmonic Orchestra

Gregory Rose

Total time: 73’19

Recording: 14–30 September 2004, Studio 5,

Russian State TV and Radio Company KULTURA, Moscow, Russia (9–11)

CD17

1 Te Deum in D for choir & orchestra WoO 16 S.70 11’25

edited by Allan Badley for Artaria

New Zealand/Schott Music

Missa Solemnis in C for soloists, choir & orchestra WoO 12 S.74

Dresden version (1806), edited by John Eric Floreen

2 Kyrie 6’28

3 Gloria 6’25

4 Credo 9’54

5 Sanctus 3’46

6 Benedictus 7’19

7 Agnus Dei 7’01

8 Alma Virgo Op.89a 6’49

Offertorium in F for soprano, choir & orchestra

Ed. Symetrie/Lyon based on the Haslinger edition/Vienna (1827)

Andrea Cajová soprano · Zuzana Dunajcˇanová alto

Ondrej Šaling tenor · Rastislav Uhlár bass

Chorus Alea chorus master Branislav Kostka

Solamente Naturali (on period instruments)

Miloš Valent violin (5) · Eduard Wesly oboe (8)

Didier Talpain

Total time: 59’12

Recording: September 2007, Studio of the Slovak National Radio, Bratislava, Slovakia

CD18

Der Durchzug durchs rote Meer WoO 11 S.33

Oratorio for soloists, choir & orchestra

Part 1

1 Intrada 7’32

2 Aus der Tiefe unsers Elends 3’36

3 Recitative: Und immer schwerer lastet das Joch der Sklaverei 1’13

4 Aria: Ich, eurer Vater Gott 5’11

5 Der Herr hat unser Geschrei erhört 3’25

6 Es macht der Herr durch unsern Mund, dir König, seinen Willen kund 1’53

7 Recitative: Verblendet war des Königs Sinn 2’47

8 Aria: Ich schwebe auf des Todes Fittich 2’39

Part 2

9 Recitative: Ein groß Geschrei ging aus 1’30

10 Der Herr hat unser Trübsal geseh’n 5’55

11 Recitative: Sie zogen aus, gewaffnet durch die Wuste 1’19

12 Aria: Und Moses streckte aus die Hand 5’44

13 Recitative: Es warf das Meer die Toten ans Gestade 0’33

14 Jehova ist ein Kriegesheld 7’46

Israelitin/Mädchen: Simone Kermes soprano · Miriam/Eine Frau: Veronika Winter soprano

Aaron/Ein Jüngling/Würgeengel: Hans Jörg Mammel tenor

Moses: Ekkehard Abele bass · Israelit/Ein Mann: Wolf Matthias Friedrich bass

Rheinische Kantorei

Das kleine Konzert

Hermann Max

Total time: 51’12

Live recording: 22 September 2004, Knechtsteden Abbey, Dormagen, Germany

CD19

Mathilde von Guise Op.100 revised Weimar version (1821)

Opera in three acts · Libretto after Mademoiselle de Guise by Emmanuel Mercier-Dupaty

Act I

2 Recitative and aria in A flat: Chi mai saprà spiegar Beaufort 7’40

3 Terzettino in A: Con lui solo parlerò 2’06

Baroness · Beaufort · Nicolò

4 Pezzo concertato with choir in A:

Il ciel le dia felicità! Chorus 8’46

5 Duet and trio in D: Mi fà felice amor 4’40

Mathilde · Beaufort · Valentino

6 Finale in E flat: O ciel! Che sento? 11’04

Act II

7 Duet in G: Tuo amor sol per mè 2’32

Claudina · Valentino

8 Scena and aria in B flat:

O ciel, che intensi mai? Mathilde 8’33

9 Trio in E: Rifletter ben fà d’uopo 5’28

Mathilde · Beaufort · Duke

world-premiere recording

Mathilde: Kristıne Gailıte · Beaufort: Philippe Do · Duke: Pierre-Yves Pruvot

Baroness: Hjördis Thébault · Claudina: Eva Šušková · Valentino: Ondrej Šaling

Nicolò: Martin Mikuš · Leszensky: Marian Olszewsky

Chorus Alea chorus master Branislav Kostka

Solamente Naturali (on period instruments) leader Miloš Valent

Didier Talpain

Total time: 57’15

Recording: September 2008, Studio of the Slovak National Radio, Bratislava, Slovakia

CD20

Mathilde von Guise Op.100 revised Weimar version (1821)

Opera in three acts · Libretto after Mademoiselle de Guise by Emmanuel Mercier-Dupaty

1 Scene and aria in D: Riuscito sono al fin Duke 5’36

2 Trio in B flat: Il cor brillar mi sento 5’39

Mathilde · Baroness · Beaufort

3 Finale in D: Viva il nostro buon Signor 6’48

Act III

4 Vaudeville in G: Venite tutti quanti 3’00

5 Romanza in D: L’ombrosa notte, vien 3’29

Mathilde (Larghetto)

6 Duet in A minor:

O ciel! Resistere non posso 5’33

Mathilde · Beaufort

Hymn in F: Padre nostro, gran Signor 1’08

Chorus (Adagio assai)

8 Pezzo concertato with choir in C: Pria che spunti il nuovo 4’38

9 Finale in D: Son finiti tutti i guai 1’20

(

Appendix

10 Overture in C Vienna version (1810) 7’34

11 Pastorale sul palco in D 0’31

for 2 clarinets and 2 horns

in a stage performance this would

precede the Finale of Act II

world-premiere recording

Mathilde: Kristıne Gailıte · Beaufort: Philippe Do · Duke: Pierre-Yves Pruvot

Baroness: Hjördis Thébault · Claudina: Eva Šušková · Valentino: Ondrej Šaling

Nicolò: Martin Mikuš · Leszensky: Marian Olszewsky

Chorus Alea chorus master Branislav Kostka

Solamente Naturali (on period instruments) leader Miloš Valent

Didier Talpain

Total time: 45’25

Recording: September 2008, Studio of the Slovak National Radio, Bratislava, Slovakia

• Wydawnictwo: Brilliant Classics
• Format: 20CD Boxset
• Opakowanie: w folii

• Dostępność : Towar we własnym magazynie

muzoCHATA TO TERMINOWOŚĆ, JAKOŚĆ I SOLIDNOŚĆ W PRZYGOTOWANIU PRZESYŁKI !!!

ZAPRASZAMY DO ODWIEDZENIA I ZAKUPU INNYCH OFERT Z NASZEGO KATALOGU.

ZOBACZ I WYBIERZ - LOOK AND CHOICE

DOSTĘPNOŚĆ PRODUKTÓW NATYCHMIASTOWA !!!

GRAMY NA KAŻDĄ NUTĘ!

KLASYKA NA 100%